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Rush began as a hard-rock garage band, modeling themselves after Led Zeppelin and Cream.

And Genesis, well, Genesis started as a bunch of teenagers trying to sell pop songs to the public and not succeeding one iota (which is a shame, seeing as there are tons of great melodies on their debut).

There is a nugget of truth to this, of course (Pictures at an Exhibition is often quite a stretch from the original Mussorgsky piece, to put it mildly), but ... I'm sure that a good number of the band's fans became fans of classical music due to their efforts, so that should be worth something.Regardless, however, this is a perfectly legitimate statement on the general level.Fans of punk have always detested them as they would any prog band, but this extended far beyond normal levels of loathing; as an example, one of the staples of late 70's Sex Pistols shows was to burn life-size statues of Keith Emerson in effigy (or so the legend goes, and I really hope it's true because it's a hilarious legend).Plus the fact that he often employed some extremely bizarre and occasionally annoying synth tones that few others would even touch.And since most people would rather hear guitar wanking than synth wanking, it's only natural that there would be a huge turn-away from this group.ELP, however, was "pretentious" and progressive from the very beginning, which makes sense.Both Keith Emerson (The Nice) and Greg Lake (King Crimson) were former key members of groups that had pretty much created the genre, and as such one could only expect them to continue what they seemed to have a knack for.Now, this normally wouldn't be such a bad thing, since after all hatred of art-rock and prog-rock was one of the most important principles upon which the punk movement was founded.No, what distinguished ELP was the amount of venom spewed upon them by other "high-brow" artists and their various followers.Or maybe the older generation was just mad about all these young whippersnappers infiltrating their societal niche ....(AUTHOR'S NOTE): There used to be a paragraph here where I made some asinine statements about the borders of what exactly constitutes prog rock.

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